Question wrong sound effect license#
Question wrong sound effect download#

It’s certainly better than deafening silence. You’ll almost certainly find what you need for that video, podcast or weird retro-flash game you’re making. We think these ten sites represent the 10 best royalty-free sound effect websites out there today and a good slice of the variety of sound effect sites available to those who want royalty-free content. There’s a good chance that one of these clips will end up being that one sound effect you still needed to get the job done. The sound selection is also decent in its variety, if not in outright volume. SoundGator makes this list simply because of how stripped down and streamlined it all is.

Question wrong sound effect license#

The user license is also pretty typical of these sites, in that you can use the clips however you like, as long as you don’t resell the clips themselves.

Question wrong sound effect download#

After you register and sign in, you can quickly download what you need and get on with your project. Now, using effects on live vocals is an entirely different matter.SoundGator is yet another site that doesn’t look like much, but it ends up sounding pretty good. Using an effect won't cure a problem with the sound of the keyboard, nor the sound of the PA. So in conclusion, the engineer should not use any effect on the keyboard, without consulting the keyboard player and sharing the decision. It changes the sound of the instrument too much. However, this should not be a decision taken by the engineer alone. If the engineer and the player together decide that an exciter is appropriate, then by all means use one. If the sound coming from the keyboard isn't good, then the engineer should discuss this with the player. If the sound that is coming from the keyboard is good, why should it need an exciter? If the reason is that the keyboard doesn't sound good through the PA, then there is something wrong with the PA. Once again, from the engineer's point of view, we have to ask why? It isn't just a distortion box, it is more subtle than that. What an exciter does is add a controlled amount of distortion. But I can say a few words about the exciter. The word 'enhancer' can mean many things so it is difficult to comment. The other two effects mentioned are the exciter and enhancer. The compressor will also change the character of the sound. To use a compressor to control level when it is so easily controlled in other ways is simply wrong. It would be equally acceptable sound-wise for the engineer to control this at the mixing console, although it does of course give the engineer another thing to think about. If the level changes from program to program, then it would be best to even out the levels in the keyboard, so they all come out at round about the same level. Many keyboards have such a feature.īy doing this, the difference between quiet and loud would be reduced at source. If there is a problem with the level changing even when the player sticks to the same program, then the sensitivity of the keyboard to velocity should be reduced. The thing is that this is better done in other ways. Although compression can be used to enhance the sound of a vocal, for keyboards - by which I assume electronic keyboards - the sole purpose would be to control the level.

Let's look at the effects listed in the question.įirstly compression. (By the way, in common with normal terminology, I don't class EQ as an effect.) So the question here is why should the engineer use any effect at all on the keyboard? If the keyboard player is already getting the sound he or she likes, then the engineer should be content to work with that. If the band doesn't sound good without a PA, then the engineer should seek another band to work with! If they sound good like that, all the engineer has to do is to get the same sound, but much louder for a larger audience. The band could play in a small room without a PA system, other than amplification for the singer. Excuse Me, You’ve Got Some Sound Effects in My Music About using sound effects in music production and how the line between sound effects and music is blurring by Kole Hicks The use of certain. The live sound engineer's role is to make the band sound good for the audience. Does the keyboard sound good in the context of the band? That is all that matters.Īnd if the keyboard player tries out an effect such as compression and it sounds good for the band, then he or she should use it any way they want.įrom the engineer's viewpoint however, things are rather different. There is no engineering criterion that can or should affect the keyboard player's judgment. A musician will choose a keyboard instrument according to whether it sounds good subjectively, and feels good to play. For the player, this is a musical question, not a sound engineering question.